David
Spicer has had poems in Yellow Mama, Reed
Magazine, Slim Volume, The Laughing Dog, In Between Hangovers, The American
Poetry Review, Easy Street, Ploughshares, Bad Acid Laboratories, Inc., Dead
Snakes, A Galaxy of Starfish:
An Anthology of Modern Surrealism (Salo Press, 2016), and elsewhere. He has been nominated
for a Pushcart, is the author of one full-length collection of poems and four
chapbooks, and is the former editor of Raccoon,
Outlaw, and Ion Books. He lives
in Memphis, Tennessee.
ANONYMOUS
The
asphalt seduces me
like
a yellow-rosed pillow
from
a gifted schmuck: a sexual child
deflecting
from self-help prayers, plastique kisses,
and
bloated-belly fathers with inept beards,
I
leer at the maelstrom, love gunpoint
demonstrations
in silk-suit department stores.
I
flourish in the streets, an affluent
clone
in a white uniform nagging
photographers
backstage. I relish
declined
interviews, screen opportunities
with
a valet’s fingernails. I collect trophies
in
my breast pocket, pay the penalty
for
the preservation of decline.
Clutch
the smog like a quilt
and
suffer the penalty of justice,
warning
the world of the hallmark I am,
a
conspiracy of angels quarreling above.
BEES
When my cousin stood on the scaffold
for treason—which he discovered was
against our law—he wore a silk shirt
covered with gunpowder. He neither
vilified nor apologized to the government,
not embarrassing himself. True, he
was a tyrant who hounded his subjects
he called bees, who could be muzzled,
he thought, because they were bees.
Trouble was, he kept a log in his shagreen
notebook of cash he extorted from bees
he conquered. Killing, a sport to this loser,
he quarreled with everyone for a thrill
and forgot that bees have memories,
they are riddles. The spruce gallows
assured us he wouldn’t steal our souls
again, but moments before the executioner
released the trap door, he yelled his last words
with venom: I am
witness, you wenches,
I assure you. Chimes
will prove all of you stink
of the featherbeds
where you make your honey.
And with that, some of us coughed, some
giggled, but with dread in our puzzled eyes.
MY
LOVER THE HIT WOMAN
A
sharpshooter I love aims her weapon,
at
the target’s forehead. With silencer
at
the end of the muzzle, Chase
sometimes
kills the subject—
infant,
postal clerk, fireman—from 500
yards.
She flirts with failure,
choosing
to strike in museums, on busy
beaches,
over dinner. Every assassination
is a puzzle, she smirks at
me. Many
of my marks were giving speeches, were
under arrest, or attending conventions.
Some
of her hits for vengeance,
others
from disdain. Chase is a cipher
who
seizes upon the element of surprise.
Nobody
knows her but me, and I’m
the
ally who never betrays her,
despite
beatings, floggings, fifty punches
to
the gut. I declare supreme loyalty
to
my lover the hit woman, I’ll never sell
her
out, will lock out suggestions
of
satire, libel, anything to expose
or
suggest her vulnerability. I’ll fight
for
her to stay as remote as a tamarisk
until
she accepts an assignment.
Nothing will prevent
her success.
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