APRIL
FISH
Poisson
d’avril—as they
would say in France—
Or
“April fish,” whatever that may mean.
(Medieval
custom happens to have been
To slip
a mackerel down a victim’s pants.)
This
year, I bow to fate and circumstance,
The
hapless target of a crueler prank,
Though I
don’t even have myself to thank,
As
Spring outside resumes its pointless dance.
Now is
the season when the absent dead
Haunt us
most vividly, amidst renewal:
Garlands
of greenery adorn the head
Of every
penitent, returning ghoul.
Rebirth
awaits us in the days ahead?
Whoever
said so was indeed a fool.
PALM
SUNDAY
...the very stones would cry
out...
I spend
all day attempting to recharge—
Accomplish
nothing—don’t pretend to try—
Drawn
blinds repel a vigorous blue sky
That
proffers summer, even in late March.
Perhaps
tomorrow morning I’ll emerge,
Reluctantly
discard this solitude;
It’s
nearly Easter, I should feel renewed;
Maybe
I’ll even make it back to church.
But
Spring’s an empty promise now, a tease,
A dusty,
disappointed offering.
Buds
burst like tumors on indifferent trees;
On windless
days, the streets are barely breathing.
Proclaim
your Resurrection, if you please—
No God
of mine will rise from anything.
MOST OF MY CLOSE COMPANIONS NOW ARE WOMEN
i.m. Victor Buxbaum, 1961-2013
Victor stood tall against the dimming sky,
His long hair streaming, brilliant at sunset;
His green Akubra black in silhouette;
Who would have guessed that moment was goodbye?
There’s no point in our even asking why;
Death came so fast I doubt he even knew,
A drunken driver killed his pit bull too—
Such an especially pointless way to die.
Like snatches of a well-remembered tune,
My memory exhumes them now and then:
Beneficent ghosts taken far too soon.
I won’t enjoy their company again.
So many male friends lost, abruptly gone;
Most of my close companions now are women.
Raised in New Jersey, Robert Lavett Smith has
lived since 1987 in San Francisco, where for the past sixteen years he
has worked as a Special Education Paraprofessional. He has studied with
Charles Simic and the late Galway Kinnell. He is the author of several
chapbooks and three full-length poetry collections, the most recent of
which is The Widower Considers Candles (Full Court Press, 2014).
Two poems from this newest book have been nominated for the Pushcart
Prize. He has recently begun work on an new collection of sonnets—his
second foray into the form—which will hopefully be published by Full
Court Press at the end of the year.
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