Mark J. Mitchell studied writing at UC Santa Cruz under
Raymond Carver, George Hitchcock and Barbara Hull. His work has appeared in
various periodicals over the last thirty five years, as well as the anthologies
Good Poems, American Places, Hunger Enough, Retail Woes and Line
Drives. It has also been nominated for both Pushcart Prizes and The Best of
the Net. He is the author of two full-length collections, Lent 1999 (Leaf
Garden Press) and Soren Kierkegaard Witnesses an Execution (Local Gems)
and two chapbooks, Three Visitors (Negative Capability Press) and
Artifacts and Relics, (Folded Word). His novel, Knight Prisoner,
is available from Vagabondage Press and two more novels are forthcoming: A
Book of Lost Songs (Wild Child Publishing) and The Magic War (Loose
Leaves). He lives in San Francisco with his wife, the documentarian and filmmaker
Joan Juster.
The
burning stopped. He wondered why—A god
was
saving him—closing off the furnace
and
wiping flames from his skin. So beyond
this
earth, suffering must be of less use
than
priests told him. He thought it was quite odd
though,
sure as he was of Hell. Endurance
was
his prayer—that was his skill—he’d plod
along
steady, he never needed rest.
His
eyes stayed closed, held fast. He wondered why—
Maybe
a goddess dropping a cool tear
to
soothe his lids so he could learn to cry
again
(a quiet child, mother said—she feared
demons
at night). His head jerks to the sky.
A
knife from nowhere cuts too quick for fear.
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