FATHER
You raised hell because one of us
Left a garden hose running all night.
Afterwards, I thought of Virginia City, Montana.
The Gilbert Brewery soused
Many a cowboy in the late 1860s you said,
Your eyes red and irritated
From an all-night drinking binge.
Tobacco stained your puffy fingers yellow
As if you had been wiping war paint
On the haunches of an appaloosa.
Sometimes you forgave yourself,
Claiming over and over again
You’d quit drinking grain alcohol
And stick to beer instead.
I never understood your pain.
It was always blurred, hidden from view
Behind your roughhouse temperament,
Tangled up like a loose bale
Of barbed wire.
Left a garden hose running all night.
Afterwards, I thought of Virginia City, Montana.
The Gilbert Brewery soused
Many a cowboy in the late 1860s you said,
Your eyes red and irritated
From an all-night drinking binge.
Tobacco stained your puffy fingers yellow
As if you had been wiping war paint
On the haunches of an appaloosa.
Sometimes you forgave yourself,
Claiming over and over again
You’d quit drinking grain alcohol
And stick to beer instead.
I never understood your pain.
It was always blurred, hidden from view
Behind your roughhouse temperament,
Tangled up like a loose bale
Of barbed wire.
STALKER
I'm wandering along Telegraph Avenue in Berkeley one Saturday
morning when I see this guy stalking a young coed walking her dog. She
looks enticing and innocent in her blue sweatshirt with California
Berkeley printed on it. I can see the stalker senses his diminishing
chances when she enters the BEST OF TWO WORLDS because he's excitedly
playing pocket pool. His lust appears to be lurching into discomfort
like strained libido at the end of a leash. However, today is no
different than most other days. The place is packed with punkers,
prostitutes, gays, freaks, and fringe people, except that there's a
troop of tourists from Wisconsin attending a regional computer software
convention. I hear a bag lady ask a few of them for a handout. Hey
mistah! Hey lady! You gotta quarter? I keep my eye on the young coed
and Doberman as they leisurely stroll down the street towards Cody's
Bookstore. She stops momentarily and asks a patrolman walking his beat
something. He looks like he's wearing his heart in his holster. I
catch myself staring at her like a voyeur leering uncontrollably at the
unveiling of the Statue of Liberty. Now she turns down a side street.
The stalker makes his move. I juke and sidestep a couple browsing at a
street vendor's display of silver jewelry and rush to intercept him.
However, in a matter of moments, before I arrive, the confrontation is
finished. The would-be-rapist has been both neutralized and neutered.
As he lies on the ground clutching his crotch, she is leaning forward,
screaming furiously into his face. Eat shit and die motherfucker. Your
vices just went on involuntary vacation.
IN
THE MUSEUM OF MISERY
They’re
all here.
The
President, the Vice President, the Secretary of State,
The
government that sent him to war.
The
politicians who claimed to vote their conscience.
His
father and mother who deemed it was his duty
To
protect country and family.
To
make them proud.
Like
his grandfather did in WW II,
And
his uncle did in Korea,
And
his younger uncle did in Vietnam.
But
where is he?
What
has he become?
He
carries his sutured wounds,
Open
and in sight,
As
an offering
For
all who can see
He
is, in truth, suffering.
He
has been refused admission
To
the American Dream,
Ordered
not to rejoin society
In
his molecular state.
Told
not to rejoin society
Until
he gets his shit together,
Gets
his Oorah back again.
For
him it’s been a constant struggle,
Filling
out form after form,
Expecting
help from the VA,
Help
from those who sent him to war.
Yet,
year after year,
Leaping
through hoop after financial hoop.
Still
he’s received no help.
Hardly
anyone recognizes the hero warrior they sent to Afghanistan.
He’s
invisible in a country that’s in sink hole financial debt.
He’s
given up now.
His
parents have ostracized him.
He’s
crossed the thin line of demarcation
Between
caring and not giving a shit.
Now,
he’s not welcome in the home he grew up in.
They
don’t understand his constant outbursts of anger.
His
excessive drinking, the drugs he’s ingesting.
After
his last rant and rave that lasted all night
They
kick him out, send him to the streets.
Order
him, by a police restraining order,
Not
to come back
Until
they recognize their son again.
Talk
therapy doesn’t cure him.
Failed
promises smash headlong into shattered illusions.
He
yells maniacally to those
Who
don’t hear him
That
he will take his life,
Commit
suicide,
On
the front steps of city hall.
But,
still, no one listens to him.
War
mongers continue to build their altar of greed
Vote
by vote,
Protecting
their shareholders.
In
his nightmare he patrols
Another
sector of the oil-enriched desert,
Killing
anything that moves
In
the silent shadows of his mind.
Don’t
bother to answer your cell phone America
You’re
too fucking late.
He
came back dead anyway,
From
the neck up.
Years
later, like all the wars that preceded him,
His
war will become nothing more than a footnote
In
the Museum of Misery.
"If my heart was made of stone, I could resort to the fine art of denial and deflection. I could say that I was just doing my job. I could say that it was all about getting even. I could say how fucking tired I always was because I could never let up. Constantly wired together tight, because there was no way to tell the enemy from the innocent civilians, until eventually they became one-and-the-same. But for me there is nothing left except the desire to be finished."
ReplyDeleteFootnote to the Footnotes: Thanks for this one Victor.
Vito, such powerful, moving work!
ReplyDelete