A Bottle Of Mateus
At
four o’clock in the afternoon the low sun
casts
a triangular shadow along the side of the building
diagonally
from the top NW corner
down
to the lower SE corner, while the rest
of the
wall remains sun-bleached yellow stucco,
a
pattern repeated every afternoon
until
the sun seasonally moves on.
A man
walks by the building, an older man
with
white hair wearing an oversize white t-shirt,
black
walking shorts that were suit pants
until
he cut them off just above the knee,
black
ankle socks and black wingtip shoes.
The
t-shirt and shorts emphasize toneless
white
stick arms and legs as he walks at a rapid gait,
his
upper body leading the lower half so his head
casts
a shadow across his black shoes.
If it
were raining, which it is not,
the
leather soled shoes would have trouble
getting
enough traction to maintain such a pace.
He
looks odd, dressing like that to take a walk,
close
to the building, scraping against its warmth
on his
way to buy a bottle of red wine. Mateus.
Play Autumn Leaves
For Me
Slouching
on the worn piano bench he uses his
left
hand middle finger to hit the white keys
one at
a time, each of them successively,
then
with his right thumb taps each black key
again
one at a time going from west to east
while
his feet trundle the pedals in a
left-right
left-right rhythm as though
in a
chain gang prisoner march.
The
sound doesn’t hang in the air for long.
His
fingers are neither long nor elegant
like
those of a born pianist.
They
are short, squat, and his fingernails
are
clipped too close, partly because
he
wears heavy-duty gloves when shoveling coal.
Brief Bio: Gene McCormick
thrives on burnt toast, gorging on it, dipping the blackened pieces in
buttercream icing and washing it all down with jugs of Mateus while playing
Chopin’s Polonaise in A-flat (Jose Iturbi’s variation) with his left thumb.
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