Impound Rebound
It wasn’t worth it, trying to accept being
robbed
to get my beater Pontiac out of the Cook
County impound.
The fines and fees accrued by the time I
returned to town
months after they towed it came to three
thousand
and sixty-five bucks. I earn nine an hour. So…
The rainy-day fund didn’t cover this
contingency.
I told those criminals, Keep it. A lot of good
it will do you. Whoever drives it should
gear down if they need to stop—I put off
a four-wheel brake job. Too damned expensive.
Add a quart of oil in every time you fill the
tank,
which thanks to something I ran over
leaks a steady drip. May it bring you
every happiness. I’ll take fifteen hundred
cash
to a guy who knows a guy who fixes beaters
he buys cheap from —wait for it—
the nearby impound yards. It’s hard
to beat the city at the fine art of hustling.
If you don’t know who to talk to here,
plan to empty out your billfold
and ride a bus to a slower place.
Benefits,
With Friends
The same
(roughly) hundred active people
continually
see each other at various
and
sundry meetings, charity shindigs,
musical
performances. The norm
of
interlocking circles spinning near the middle
as town
rotates on an axis, its poles
idealism
and apathy. A form of
advertising
failure means the nucleus
of fine
but familiar folks support every
benefit
and show. What would draw
the rank
and file residents who don’t
attend public
functions? We’re in competition
with
television, losing. The community
committees
gasp for new blood. They yearn
to put
more butts in the seats, given
the
level of talent passing through. They wish
to see
the same few friendly faces
a little
less often. But if we stay home,
then who
will come? Conversations tend to
repeat
themselves ad infinitum at intermissions.
Oh hey,
how are you doing? Nice duds there.
It seems
that we see each other
every,
every, everywhere we go.
The Quilt-maker’s
Exit Sign
[Ekphrastic
on Jon McDonald’s painting
from the Slavery’s Chill series, “Tumbling Blocks”]
All of us are leaving off this place—
soon, soon, sooner than
the wedding party’s embers ash over,
before cotton-thickened revelers
rise much past the roosters.
We’ve been waiting on this signal—
there you see it, Tumbling
Blocks.
It means to fetch traveling shoes,
pack what carries easily.
Make haste, make tracks,
make for true North.
I spread the quilt
while musicians set the meeting point—
“Down to the River,” they play with gusto.
Master’s daughter and her husband
twirl to mark their beginning.
We wait to go into the world.
Preacher-man ran through his questions.
Bride and groom said, “I will. I do.”
Swore vows, like I did to myself,
when I stitched this signal patchwork:
I will. I swear,
not one more morning.
I will, we will,
be free.
TODD
MERCER won the Grand Rapids
Festival of the Arts Flash Fiction Award for 2015, the first Woodstock Writers
Festival Flash Fiction Award, two Kent County Dyer-Ives Poetry Prizes and was
runner-up in the Palm Beach Plein Air Poetry Awards. His digital chapbook, Life-wish Maintenance appeared in 2015
at Right Hand Pointing. Mercer’s
poetry and fiction appear in journals such as: Apocrypha & Abstractions, Cheap Pop, Dunes Review, Eunoia Review, Kentucky Review, The Lake, The Legendary,
Literary Orphans, Main Street Rag Anthologies, Midwestern Gothic and Spartan.
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