Chicken Little Syndrome
There are
certain lines
and buildings
too big to be
trusted,
certain gifts
too Trojan,
too equine.
My mind seems
dignified
until I open it.
The western
expansion is fraught
with many
dangers.
The ancients
teach in riddles:
wool is to milk
as silk is to
semen.
Those who
witness
my arrival are
surprised
that I didn’t
fall
from myself.
We all hang
tight.
As above, soon
below.
Trouble Every Day - L.
Another hill
awaits another
Boot another foot
The wholeness
only
Prosthetics can restore
We never speak
of great
And terrible deeds
As we eat takeout
Chinese
But I prime my
face for arrows
The sparrows /
jays / robins
Morning doves / cardinals
Grackles
Attack the worm
To warm their bellies
Beat each other
down
To attack the worm
The garden seems
serene
But if
Plants could scream
The garden
gnomes would crack
Under their burden
We never hear
the beak / talon
Mandible / invasive species
Choking off the sprout
I listen as the
plastic
Flowers
Sing
Of their wholeness
And resolve.
Figures / Figurines
Fan fiction is all about the proper
nouns, a celebration of the individual, fictive fist. Each knuckle seems to
progress with its own needs and history.
I remember each slight but forget the
names of lovers.
A display shelf with odd figurines.
Consider Halloween as set in motion by
baby boomers in a densely populated suburb circa 1962: porch lights document
the ebb and flow of characters from popular culture and those that resonate
with a sturdier sense of tradition.
A mouse takes its pants off. A princess
sleeps in a tree.
Maybe a child gives the faceless wooden
doll a name; maybe she adds tooth marks to its head.
I need to continue: no story, only sway.
Consider an elaborate fantasy world:
nameless, curious figues press their faces and limbs from castles or forests
for an adventure that reads like summer breeze.
Consider a lover who arrives naked with
smudges of soot on her face and belly: (How she got here, I can't say.) In the
morning, in her place, a basket of clean towels.
Glen Armstrong holds an MFA
in English from the University of Massachusetts, Amherst and teaches writing at
Oakland University in Rochester, Michigan. He edits a poetry journal called Cruel Garters and has three new chapbooks:
Set List (Bitchin Kitsch,) In Stone and The Most Awkward Silence of All (both Cruel Garters Press.) His
work has appeared in Poetry Northwest,
Conduit and Cloudbank.
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