John Grey is an Australian poet, US
resident. Recently published in New Plains Review, Perceptions and Sanskrit with
work upcoming in South Carolina Review, Gargoyle, Owen Wister Review and
Louisiana Literature.
FROM THE REAL BATTLE
ZONE
Her nail fought hard against the
itch
in her right shoulder. And he
battled
the lint in his sweater to an
honorable
draw. The kids were the
combatants
who actually got to lay hands on
one
another but just a push here, a
kick
in the shins there. And just as
prelude
to the real war: the boy versus
all
fifty state capitals, the girl
against
the knots in her hair. These
were
skirmishes the news forgot in its
lust
for bloodier confrontations. No
suicide
bombers but a wine glass fell and
shattered.
No bodies on stretchers but
Band-Aid on
finger cut, dirty clothes in
hamper.
According to a reporter in
Iraq,
people are afraid. The streets
are empty.
So the world is a dangerous
place.
But try living
elsewhere.
LOVE AT HIS SPEED
The speeding tickets in the glove
compartment
don't say much for his obedience
to one law at least.
He collects them
like…
you bite your thought like it' s
a tongue,
before the word "women" slips
out.
He ignores the
signs.
Should you ignore the one you
made -
"Brenda, are you
sure?"
And then he accelerates that
convertible
on a straight stretch of
highway
even though you beg him to slow
down.
Your feelings, his
needs,
and only one steering
wheel.
Will it always be like
this?
A crash? A
breakup?
Blood or tears ~
they both pour from a
vein.
He's going even
faster.
Your heart plays ping pong with
your throat.
You love him,
but not at this
speed.
He slaps the wind
around
like it's your
face.
And whatever's in the
rearview
gets what it
deserves.
Finally, he stops, parks by an
overlook.
"Lovely," you both
say,
he for the drama, you for the stillness.
OBLIVIOUS
The cemetery forgets
itself.
Every stone, every
angel,
even that rich man's
mausoleum
gleam with sun.
Where is the gloom my emotions
promised?
Am I in the wrong
place?
In truth, I expected
rain.
Not everywhere,
just here,
a gray cloud
drooping
over the graveyard
as if pulled on
by the unwitting magnetism of the
dead.
But the sun shines
broadly.
Amid all these names and
dates,
it still finds time for
photosynthesis.
It follows me and my bundle of
flowers.
Then it's at my
side.
And, finally, it somehow
reaches
the grave ahead of
me.
Is it playing devil's
advocate?
Or more likely, it's
antonym?
I'm here to be nothing but
morose
and yet it offers a
presence
at odds with those buried below
me.
All around, there are pools of
brightness.
Even the willows give
up
all pretense of shade and
shadow.
Can I really place my
bouquet
and be happy doing
so?
The word is dark,
dammit.
Or if not, the last word in
oblivious.
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