I BET
YOU’D HATE THIS POEM
i.m.: Franz
Wright, 1953-2015
I bet you’d hate the fact this is a sonnet,
Preferring
jagged lines imbued with silence,
Words
that don’t hesitate to do us violence
And
won’t play all the cards they hold just yet.
Forget
about a strict pentameter,
A bland
anachronism with no future—
Better
the lyricism of a suture,
The
studied elegance of a skull fracture,
The
horrid beauty of a stifled cry
That
resonates with stunned and speechless pain.
Beyond
the pillaged corn at dusk, warm rain
Spits
broken lightning from a hemorrhaged sky;
A few
cold stars try stubbornly to rise,
The new
moon like a coin for your dead eyes.
THE
FIRST DAY OF B. B.’S DEATH
i.m.: Riley Ben
“B. B.” King, September 16, 1925-May 14, 2015
This
morning, after Riley passed away,
Rain gentled
San Francisco like damp smoke;
Blues
filled the Internet, and no one spoke—
The
light dissolved in gradients of gray.
Up at
Fort Mason, where we heard him play,
Some
sullen trees are doing their slow soak;
It’s
years now since the Festival went broke—
Nothing remains of
the great stage today.
If this were a
performance, not a poem,
A liquid solo would
begin right here,
Honed like a dagger,
weightless as a breath.
Called from the
nether regions where they roam
Revered guitarists
of the past draw near:
Today is the first
day of B. B.’s death.
THE
TORNADO OF NINETEEN SIXTY-FIVE
The
funnel missed the house by only yards,
Stripping
the Spitzers’ northern wall away
So that,
my Grandpa Maple used to say,
It left
a doll house, or a house of cards.
There
are dark images the mind discards,
But
though I wasn’t present, I still see
With
almost preternatural clarity
The
devastation conjured by his words.
This was
in April, all the trees in leaf,
But
plaster billowed to the ground below
Like
some strange winter, hideous and brief,
Burying
lawns in false, deceitful snow—
The
neighborhood looked on in disbelief
That
terrible morning, many years ago.
Raised in New Jersey, Robert Lavett Smith has
lived since 1987 in San Francisco, where for the past sixteen years he
has worked as a Special Education Paraprofessional. He has studied with
Charles Simic and the late Galway Kinnell. He is the author of several
chapbooks and three full-length poetry collections, the most recent of
which is The Widower Considers Candles (Full Court Press, 2014).
Two poems from this newest book have been nominated for the Pushcart
Prize. He has recently begun work on an new collection of sonnets—his
second foray into the form—which is entitled Sturgeon Moon, and which will hopefully be published by Full Court Press at the end of the year.
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