And in
the lens that cracks
under my stare
is the dust, the
stomped glass
that precedes it.
See the mouth,
cheval.
My two
brothers found
your print, and
now there is
a tale for every
given channel.
Men eat, a child
swims, and swans
chase us in grass
with honking
spurts. Sirens
that something’s
lost. See how
the storm blows
like a flatline.
Removal
Now nachtmusik for the armchair
evening watch: the head,
sever-
ed in a pile of wood. Now
my
attention is yours. Crow
loud.
Swing low beneath the red
of the razor blood sun.
Did
a idol call when they
were
away? (Say no, or choke.)
Run
There’s no comment for
the dove.
Modern leaves are
incidental.
Scents drive weather,
pages away from
understanding.
You kissed hard. An act followed.
You showed her a flea. A
hollow
act to any discerning
eye. What
is it that kills smell?
Nobody
seems to identify aerosol.
We imitate shells (post-fed)
and absorb
blasts
from the window. Are you
not regaled? Traceless
is the aperture, the open.
Connor Stratman lives in Dallas, Texas. His books and chapbooks
include VOLCANO (Writing Knights Press, 2011), SOME WERE AWAKE
(plumberries press, 2011), and SOME WERE AWAKE (Erbacce Press, 2010).
His work has appeared in such journals as Moria, Counterexample Poetics, Ditch,
Etcetera, and many others. He is currently pursuing a PhD in English Literature
at the University of Texas at Arlington.
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