better
Strips of clouds,
pink-grey like a snail snatched
from its shell. So many days I waited, waiting
like that snail for permanent protection,
waiting
as an activity to delve fully into.
Nirvana was coming. I saw it traced
on the dated sidewalk, etched on the curvy
lustre
of a raccoon’s still spine and in the
devotion
of the rock dove waiting for its one decided
love.
Nothing was ever enough to saturate my yearning.
Even for a moment, to remember a time before
birth, before
the furious fluttering engine ulcerated my stomach
lining or before
my sanity became a soft noise, fading. I could
hear it
like a basic desire I was forced to forgo - sex,
unquenched - like that
but even more. Like a crinkled cloth left on the
subway floor,
I waited - dry, malformed, avoided.
The basement air is grooming me for an alien awakening,
maybe fluorescent, possibly ordinary, but better
than
this sitting, tipping sideways on a broken chair.
Salt lamp on, a little fireplace or miniscule
sunshine shining,
crumbling between my fingers, waiting
no more, moving at last
to another corner.
Blown
Blown like a grain of sand from a hollow
twig.
It is beautiful to be blown.
Blown, into the winding forward thrust
where good happens with the movement
of each day and the fire-cracker burn
is a burn of celebration.
Carried through the radar-stream
into an easeful position where
the goal is getting nearer at a slow
pace
and old patterns are disintegrating,
remembered but not renewed.
In Front
The line in front
is the line crossed
then left to rot under
the blazing day. The other side
is not to be feared but held
up like a delicate, appreciated toy.
The way out the door
is the door your father gave you when he
died
and placed death’s rattle under your
pillow
for the rest of your days. It is the door that
won’t let you forget
how short a season life is.
The chain around your neck
is a chain of small but frequent
miracles
that has sustained and held poverty at
bay.
It is to be counted on when the last of the
nectar
has been spilled on the rug and indifference
consumes
the eyes of friend and kin like roundworm,
there
even in the most difficult of barren
January days.
Bio:
Over the past twenty years
Allison Grayhurst's poems have been published in over 120 journals
throughout the United States, Canada, Australia, and in the United Kingdom,
including Parabola (summer 2012). Her book Somewhere Falling was
published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since
then she has published nine other books of poetry and two collections with
Edge Unlimited Publishing. Her poetry chapbook The River is Blind was
recently published by above/ground press December 2012. She
lives in Toronto
with her husband, two children, two cats, and a dog. She also sculpts,
working with clay.
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