Friday, April 20, 2012

Doug Draime- Two Poems


 Jesus Is Now


sanctifying your rotting thoughts

purifying the vessel of wrong action

&  illusionary desire
which you once called you    
is a light moving up inside you 

burning to a crisp/ ending the days of

hateful coalition of wayward spirits 
&  pointless thoughts

that assembly of confusion

which devastates the promise

of your faith



In My Dream


 There were 10 literary critics,
all poets, mostly elitist asses, sitting at a long table.
I’m sitting on a lounge chair
drinking a Pepsi in a glass
with ice and lime, and munching
on potato chips.  They’re acting
as judge and jury, debating among
themselves, as to whether
I am any good as a poet.  And I’m
sipping on my Pepsi
trying to remember if I ever wrote
a poem for a collective body of poets?
Yes, I had, I remembered, I’d written several  poems very  
critical the literary establishment.
I lose my train of thought when
a pretty, sexy young lady begins to read one
of my poems (she says).  But it’s not my poem,
it’s one by Steve Richmond, which I’ve read before,
a very good one, so I listen intently and don’t bother
to correct her.  I always wished I’d written that poem.
When she finishes a swishy looking guy
at the far end of
the table gets up and tells her
it’s Richmond’s.  She glares at him, sits down embarrassed
and starts sorting through
hundreds of my poems (and  hopefully a few of Richmond’s). 
Then they all begin arguing and sorting through the stuff.

A guy wearing a Walt Whitman mask
stands up to read a light verse
thing I wrote for the Wall Street Journal.
Most of them snicker at me when
he finishes, and asked me 
what I had to say in my defense. Defense?

(I’m addicted to grocery store brands of
potato chips, and those I was munching on
were a Safeway brand, which are particularly
yummy--so I finished the ones
in my hand and washed them down with a large
gulp of Pepsi)  I smiled and cleared my
throat.  “Look,” I said, “I didn’t choose writing,
writing chose me.  It just comes through me
that’s all.  That poem is the same as the rest
and I kind of like it.”  I said my piece and took
another drink of Pepsi.
“And that’s another thing,” says a 
little guy with glasses, who looks like
a myopic Fidel Castro, “all this nonsense
about poems coming through you, and,
all your Christian tendencies, have no
place in contemporary literature.”
The little guy sits down squinting at me.
I looked around and shrugged, and the sexy lady
who read the Richmond poem catches my eye.
She winks and reaches up to touch a
small gold cross hanging around her neck.
I wink and smile back.  And as I sat there
I remembered a John Berryman poem
in which he says, that Jesus Christ is
the only true literary critic.  So, I tell them
that.  Wow, that really pissed them off!

Thursday, April 19, 2012

Robert Demaree- Three Poems


GROCERY SHOPPING, EASTER MORNING


The supermarket is not crowded:
Shoppers up and down the aisles
With a calm seriousness,
Notebooks of coupons, unadvertised specials,
A kind of reverence, the sense that
Perhaps they should be somewhere else.
For some it is like any other Sunday,
With its own rituals:
Young couples in tennis get-ups
Admire their children, make plans.
An older couple ponders produce:
For her it is a day fraught
With memory, a father gone;
For him, one of two days in the year
When those metaphoric readings
Simply will not fly.



YESTERDAY’S SNOW


Midnight: an unexpected snow
Brightens our court at Golden Pines,
Thick whiteness caught in amber streetlight,
Moist cotton balls, fluffy on our small trees
In the clear Piedmont dawn.
It’s beautiful, our neighbors say,
Thinking of other places they have lived.

On my seventieth birthday I drive into town for barbecue,
Listening to Frankie Valli and the Four Seasons,
Their soaring falsetto harmonies
From sorrowful New Jersey towns
Not far from my own,
The undertow of time,
Those unchangeable places of our birth
That took some of us a while to figure out.
At the funeral home, the casket truck,
Up from Mississippi, makes a stop:
The routineness of it.


It is afternoon, sixty degrees,
And, of course, the Carolina snow is gone,
Except for fringes in the roof’s shadow,
And by the curb, graying,
Like other snows I’ve seen.

“Yesterday’s Snow” appeared in Poets’ Touchstone Winter 2009



CLOSING COSTS


Muffled in the rustling of papers,
Sign here, initial there:
We have sold the house:
Fifty years,
Same family, same ’phone number.
Scott and Alice are young;
They will redecorate
With colors I do not need to see.
What follows we choose to call
The next part and not the last.
Alice will have to pick up
The rest of the fallen camellia blooms.

“Closing Costs” appeared in Still Crazy January 2008


Robert Demaree is the author of four collections of poems, including Fathers and Teachers (2007) and Mileposts (2009), both published by Beech River Books. The winner of the 2007 Conway, N.H., Library Poetry Award, he is a retired school administrator with ties to North Carolina, Pennsylvania and New Hampshire in the eastern U.S. He has had over 550 poems published or accepted by 125 periodicals in the U.S., Canada and U.K., including Cold Mountain Review, Red Wheelbarrow, Miller’s Pond, MediaVirus, Bolts of Silk, Louisville Review and Paris/Atlantic, and in four anthologies including the 2008 and 2010 editions of Poet’s Guide to New Hampshire and Celebrating Poets over 70.. For further information see http://www.demareepoetry.blogspot.com 

Monday, April 16, 2012

A.J. Huffman- A Poem

A Letter from Hell

I never asked you to save me.
Or build me a castle
made of glass.
And now you expect me
to polish your armor.
On my knees?
I am sorry.
You are mistaken.
You have mistaken
me.
For something else.
A dream maybe.
All floating white and gold.
Just waiting for Mr. Right.
But I never wanted to be a princess.
Never wanted my edges curved
and matched to your own.
I don’t need a knight.
I don’t want a prince.
And horses --
white or not --
are hard on the ass.


A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida.  She has previously published four collections of poetry: The Difference Between Shadows and Stars, Carrying Yesterday, Cognitive Distortion, and . . . And Other Such Nonsense.  She has also published her work in national and international literary journals such as Avon Literary Intelligencer, Writer's Gazette, and The Penwood Review.  Find more about A.J. Huffman, including additional information and links to her work at http://www.facebook.com/profile.php?id=100000191382454 and https://twitter.com/#!/poetess222. 

Monday, April 9, 2012

Donal Mahoney- A Poem

Straight in His Caneback Chair
 
      Ireland to America, long ago
 
In this Kerryman’s eyes
big ships sail
and lighthouses flicker
light years away.
He’s 70 today and sits 
tombstone straight
in his caneback chair,
waves at a flake
hanging from his nose,
misses and curses.
It’s his first curse of the day
and he’s ready for anything,
an ancient ram braced for the British
climbing through the mist.
His children, parents themselves now,
sit in his parlor, silent around him.
When they hear his first curse,
they know it’s 20 years earlier
and Father is calling
a meeting of the family.
They shift in their chairs
as his eyes and his words
whiz around the room
like bees liquored up
looking for something to sink into.

Thursday, April 5, 2012

Robert Demaree- A Poem


AT THE SYMPHONY

Irritated
Of bladder and by the cello concerto’s
Petty dissonance
I wait in the prostate line
At intermission.
My wife’s dimmed vision
Scans the lobby, seeking mine
Among gray heads
That bob upon a sea of blue blazers.
What is it that draws us here?
Perhaps the aching melancholy
Of a Russian adagio;
More likely the crisp precision,
The tying off of loose ends,
In those short Mozart symphonies
That seem to end so suddenly.



Robert Demaree is the author of four collections of poems, including Fathers and Teachers (2007) and Mileposts (2009), both published by Beech River Books. The winner of the 2007 Conway, N.H., Library Poetry Award, he is a retired school administrator with ties to North Carolina, Pennsylvania and New Hampshire in the eastern U.S. He has had over 550 poems published or accepted by 125 periodicals in the U.S., Canada and U.K., including Cold Mountain Review, Red Wheelbarrow, Miller’s Pond, MediaVirus, Bolts of Silk, Louisville Review and Paris/Atlantic, and in four anthologies including the 2008 and 2010 editions of Poet’s Guide to New Hampshire and Celebrating Poets over 70.. For further information see http://www.demareepoetry.blogspot.com 

Wednesday, April 4, 2012

Doug Draime- Three Poems

Jesus In Wartime


The bodies are piled
like slaughtered and rotting cattle,
in abandoned stockyards.
And each morning before sunrise,
the decision is made
in a business like and calm way
to aim the big guns,
drop the big bombs
to destroy a handful of people
clustered among many thousands.
The military shuck and jive,
to justify these insidious deeds,
as the Leader of The Free World
is on his knees praising Jesus
for the death and mayhem.
This Jesus is diametrically opposed to the one I know
His Jesus is a warmongering imperialist who loves only billionaires
and millionaires and the idoits who worship them.
This Jesus he prays to, appears to love nothing scared, or honorable,
or righteous, or humane.
This Jesus entrenched like cancer by lies and madness.
This Jesus adding to the plies of bodies, as if human life and
Creation mean nothing. 


This Side Of The Mystery Game


Death is the bottomless pit, a ravenous
beast that
gets us all in the
end.
It even got Tolstoy who denied it.
And Dylan Thomas who raged against it.
Even Christ, though they say
he came back for
a visit; bloody as hell,
walking through
walls,
talking to invisible people even
doubting Thomas could see.
Jesus came back hungry
asking for wine and something to eat.
And as he ate a plate of Jewish stir fry
and several glasses of wine,
he started wisecracking about
the lack of sustenance
in the ethers, and demanding
Mary Magdalene’s apostleship,
which pissed off all the Jewish men
and all the Roman men
and all the wannabe men. And they killed
him again
and he walked through the wall back into “death”.
Wasn’t that the point,
that he “died” like the rest of us?
Like the bum, the poet, the mortician,
the politician, like the great Joe Lewis murdered
by the humiliation of Las Vegas, like you
and me, like John Lennon shot down
by his biggest fan, like most of us living ordinary lives,
dying ordinary deaths, 
like everyman and everywoman.
Death is the bottomless pit (and our most deceptive illusion), 
that every human falls into, and is never seen again, at least not
on this side of the mystery game  




John


Starless, moonless, hopeless
night
filled with shadows
of ravaged dreams.
On a platter, a bloody platter
engraved with
cannibal dragons
sits the
magnificent head
of the Baptist.
Salome whirls her incestuous whoredom
around the marble floor.
The music of the dance
floats through the stagnant
and murderous air.
As the lamb of God, a few miles away
lies prone in prayer,
he feels the
ax through
his own
sanctified flesh.
His head 
rolling slowly
from the pallet
of His repose,
like a comet
passing through
the cosmos of dead
and dying stars



This Side Of The Mystery Game first appeared in Cause & Effect Magazine in 2007, and
John first appeared in Ancient Paths around 2004 or 5.

Tuesday, April 3, 2012

Luis Cuauhtemoc Berriozabal- 3 Poems


THE RIFLES

When will the rifles leave
their troubled lives behind?
Their exercise in war
is an awful thing. Closed
fists are bad enough as
are slaps with open hands.

The skeletons pile up
in the bloodied landscape.
Their dead eyes are absent.
The rifles did them in.
They made a blasting sound.

Dogs walked around in the
rifles' dream. They were shot.
The rifles killed them. The
poor animals look like
if they were asleep, but
I looked at them and cried.



IN THE WILDERNESS

I lived in the wilderness
in the mountains
North of Hollywood
coming down for
part-time work
volunteering at a local
liquor store
sweeping up trash
and collecting change
I had no intention
of being locked up
against my will
I am ready to leave
I promise to try my best
to stay away from
this place; I want to find
work across state lines
this state has become
too restrictive
in the mountains
the trees are incredible
in the wilderness
I could be myself


GREEN EYES

I stole a glance
and you could not stop me.
I just needed
to see what I was missing.

Your green eyes were
not as menacing as
they were lovely
like tranquil mountains

like the greenest olives
in the greenest tree.

Monday, April 2, 2012

Neil Ellman- Two Poems

Uncle Joe 

(after the painting by George Condo)

There’s one in every family
a no-account without a pot to piss in
no job, no children, no wife
(even his cat died long ago
from fleas and dysentery)
but he can balance a glass of muscadet
on the flat of his foot while prostrate in
the grass (where he can be found
most mornings) his penis saluting
the incredulous sun:  “Hi ho,” it says,
belching bubbles of bilious gas,
and he is caught, once again,
in the delirium of his own embarrassment,
his artichoke face with elephantine ears
and blazing-saddle teeth, looking
dumbfounded.  “What day is this?”
he asks, babbling something about
Ephesians 5:18 and the lack of values
among the idle young
but he can whistle passages from
the Upanishads through the gaps
between his teeth and recite Rimbaud
while chewing chicken bones—
my Uncle Joe, and yours, is wiser than
his sister thinks.


Panorama 

(after the painting by Cy Twombly)

Traces of words
in a magnetic field
circling as fast as light
dodging, careening
protocols of
colliding, crackling
sound
crying infants
about to speak
their first words
where words
were never heard—
here in a cyclotron
the static of stars
becoming poetry.

Sunday, April 1, 2012

Linda M. Crate- Three Poems

fretful

mountain faces dance through

shadow, uprising in pale blue white


like clouds drifting through seas


of azure flecked with bodies of birds –


it cannot be discovered or found out


only seen; like I cannot break through


the force field you’ve constructed


around yourself as if you think I mean


to harm you, I wish that you would


let your fears fall away like autumn


leaves; I wish you’d let me in –


it would never be my intention to


hurt you, and yet you hold me at arms


length like everyone else, and cleave


to your apprehension like a lover.




you’ll get yours eventually


your brow is frosted with the

cruelty of winter, I know that


you mean to destroy me with


those frozen green pools you’ve


ripped from the grass and used


as your irises; you’re a borrowed


construct with a wicked purport –


you mean to do nothing less


than destroy everything I’ve ever


meant to build, you make a mockery


of all the pretty things I’ve made;


you turn my sweet truths into nothing


more than a joke and laugh at all


my failures when they take wing, but


one day it will be worth it just to see you


flailing in the waters of self made discontent.




entrapment


I’m locked inside

like these thoughts


swirling inside me,


squirming to be free


of this cage of bones


to run their own race –


trapped in your inescapable


fortress of words, I pull


at the chains of captivity,


I was never meant to be your


prisoner but you took me


anyway because you could –


you broke the branches of


every birch, fir, and maple


thrust their dead bones


down my throat to choke


me in an isthmus of fear and


doubt, you told me that you’d


never hurt me; yet that was


a lie that I’d choke on, one


day I’ll master your lock and


turn it on its head, one day I will


make you come to regret me.